The Black Widow Page 6

  “If you wake him,” she whispered, “I’ll kill you.”

  Smiling, Gabriel slipped off his suede loafers and in stocking feet padded down the corridor to the nursery. Two cribs stood end to end against a wall covered by clouds. They had been painted by Chiara and then hastily repainted by Gabriel upon his return to Israel, after what was supposed to be his last operation. He stood at the railing of one of the cribs and gazed down at the child sleeping below. He didn’t dare touch her. Raphael was already sleeping through the night, but Irene was a nocturnal creature who had learned how to blackmail her way into her parents’ bed. She was smaller and trimmer than her corpulent sibling, but far more stubborn and determined. Gabriel thought she had the makings of a perfect spy, though he would never permit it. A doctor, a poet, a painter—anything but a spy. He would have no successor, there would be no dynasty. The House of Allon would fade with his passing.

  Gabriel peered upward toward the spot where he had painted Daniel’s face among the clouds, but the darkness rendered the image invisible. He left the nursery, closing the door soundlessly behind him, and went into the kitchen. The savor of meat braising in red wine and aromatics hung decadently in the air. He peered through the oven window and saw a covered orange casserole centered on the rack. Next to the stove, arranged as if for a recipe book, were the makings of Chiara’s famous risotto: Arborio rice, grated cheese, butter, white wine, and a large measuring cup filled with homemade chicken stock. There was also a bottle of Galilean Syrah, unopened. Gabriel eased the cork from the neck, poured a glass, and returned to the sitting room.

  Quietly, he settled into the armchair opposite Chiara. And he thought, not for the first time, that the little apartment in the old neighborhood of Nachlaot was too small for a family of four, and too far from King Saul Boulevard. It would be better to have a house in the secular belt of suburbs along the Coastal Plain, or a large apartment in one of the smart new towers that seemed to sprout overnight along the sea in Tel Aviv. But long ago, Jerusalem, God’s fractured city upon a hill, had cast a spell over him. He loved the limestone buildings and the smell of the pine and the cold wind and rains in the winter. He loved the churches and the pilgrims and the Haredim who shouted at him because he drove a motorcar on the Sabbath. He even loved the Arabs in the Old City who eyed him warily as he passed their stalls in the souk, as if somehow they knew that he was the one who had eliminated so many of their patron saints of terror. And while not religious by practice, he loved to slip into the Jewish Quarter and stand before the weighty ashlars of the Western Wall. Gabriel was willing to accept territorial compromises in order to secure a lasting and viable peace with the Palestinians and the broader Arab world, but privately he regarded the Western Wall as nonnegotiable. There would never again be a border through the heart of Jerusalem, and Jews would never again have to request permission to visit their holiest site. The Wall was part of Israel now, and it would remain so until the day the country ceased to exist. In this volatile corner of the Mediterranean, kingdoms and empires came and went like the winter rains. One day the modern reincarnation of Israel would disappear, too. But not while Gabriel was alive, and certainly not while he was chief of the Office.

  He drank some of the earthy, peppery Syrah and contemplated Chiara and Raphael as though they were figures in his own private nativity. The child had released his hold on his mother’s breast and was lying drunken and sated in her arms. Chiara was staring down at him, her long curly hair, with its auburn and chestnut highlights, tumbling over one shoulder, her angular nose and jaw in semi-profile. Chiara’s was a face of timeless beauty. In it Gabriel saw traces of Arabia and North Africa and Spain and all the other places her ancestors had wandered before finding themselves in the ancient Jewish ghetto of Venice. It was there, ten years earlier, in a small office off the ghetto’s broad piazza, that Gabriel had seen her for the first time—the beautiful, opinionated, overeducated daughter of the city’s chief rabbi. Unbeknownst to Gabriel, she was also an Office field agent, a bat leveyha female escort officer. She revealed herself to him a short time later in Rome, after an incident involving gunplay and the Italian police. Trapped alone with Chiara in a safe flat, Gabriel had wanted desperately to touch her. He had waited until the case was resolved and they had returned to Venice. There, in a canal house in Cannaregio, they made love for the first time, in a bed prepared with fresh linen. It was like making love to a figure painted by the hand of Veronese.

  She was far too young for him, and he was much too old to be a father again—or so he had thought until the moment his two children, first Raphael, then Irene, emerged in a blur from the incision in Chiara’s womb. Instantly, all that had come before seemed like stops along a journey to this place: the bombing in Vienna, the years of self-imposed exile, the long Hamlet-like struggle over whether it was proper for him to remarry and start another family. The shadow of Leah would always hang over this little home in the heart of Jerusalem, and the face of Daniel would always peer down on his half-siblings from his heavenly perch on the wall of the nursery. But after years of wandering in the wilderness, Gabriel Allon, the eternal stranger, the lost son of Ari Shamron, was finally home. He drank more of the blood-red Syrah and tried to compose the words he would use to tell Chiara that he was leaving for Paris because a woman she had never met had left him a van Gogh painting worth more than a hundred million dollars. The woman, like too many others he had met along his journey, was dead. And Gabriel was going to find the man responsible.

  They call him Saladin . . .

  Chiara placed a finger to her lips. Then, rising, she carried Raphael into the nursery. She returned a moment later and took the glass of wine from Gabriel’s hand. She lifted it to her nose and breathed deeply of its rich scent but did not drink.

  “It won’t hurt them if you take a small sip.”

  “Soon.” She returned the glass to Gabriel. “Is it finished?”

  “Yes,” he answered. “I think it is.”

  “That’s good.” She smiled. “What now?”

  “Have you considered the possibility,” asked Chiara, “that this is all an elaborate plot by Uzi to hang on to his job a little longer?”

  “I have.”

  “And?”

  “He swears it was all Paul Rousseau’s idea.”

  Chiara skeptically folded the butter and the cheese into the risotto mixture. Then she spooned the rice onto two plates and to each added a thick slice of the osso buco Milanese.

  “More juice,” said Gabriel. “I like the juice.”

  “It’s not stew, darling.”

  Gabriel tore away a crust of bread and swirled it along the bottom of the casserole pot.

  “Peasant,” sneered Chiara.

  “I come from a long line of peasants.”

  “You? You’re as bourgeois as they come.”

  Chiara dimmed the overhead lights, and they sat down at a small candlelit table in the kitchen.

  “Why candles?” asked Gabriel.

  “It’s a special occasion.”

  “My last restoration.”

  “For a while, I suppose. But you can always restore paintings after you retire as chief.”

  “I’ll be too old to hold a brush.”

  Gabriel poked the tines of his fork into the veal, and it fell from the thick bone. He prepared his first bite carefully, an equal amount of meat and risotto drenched in the rich marrowy juice, and slipped it reverently into his mouth.

  “How is it?”

  “I’ll tell you after I regain consciousness.”

  The candlelight was dancing in Chiara’s eyes. They were the color of caramel and flecked with honey, a combination that Gabriel had never been able to reproduce on canvas. He prepared another bite of the risotto and veal but was distracted by an image on the television. Rioting had erupted in several Parisian banlieues after the arrest of several men on terrorism-related charges, none in direct connection with the attack on the Weinberg Center.

  “ISIS must
be enjoying this,” said Gabriel.

  “The rioting?”

  “It doesn’t look like rioting to me. It looks like . . .”

  “What, darling?”

  “An intifada.”

  Chiara switched off the television and turned up the volume on the baby monitor. Designed by the Office’s Technology department, it had a heavily encrypted signal so that Israel’s enemies could not eavesdrop on the domestic life of its spy chief. For the moment it emitted only a low electrical hum.

  “So what are you going to do?” she asked.

  “I’m going to eat every bite of this delicious food. And then I’m going to soak up every last drop of juice in that pot.”

  “I was talking about Paris.”

  “Obviously, we have two choices.”

  “You have two choices, darling. I have two children.”

  Gabriel laid down his fork and stared levelly at his beautiful young wife. “Either way,” he said after a conciliatory silence, “my paternity leave is over. I can assume my duties as chief, or I can work with the French.”

  “And thus take possession of a van Gogh painting worth at least a hundred million dollars.”

  “There is that,” said Gabriel, picking up his fork again.

  “Why do you suppose she decided to leave it to you?”

  “Because she knew I would never do anything foolish with it.”

  “Like what?”

  “Put it up for sale.”

  Chiara made a face.

  “Don’t even think about it.”

  “One can dream, can’t one?”

  “Only about osso buco and risotto.”

  Rising, Gabriel went to the counter and helped himself to another portion. Then he doused both rice and meat in juice, until his plate was in jeopardy of brimming over. Behind his back, Chiara hissed in disapproval.

  “There’s one more,” he said, gesturing toward the casserole.

  “I still have five kilos to lose.”

  “I like you the way you are.”

  “Spoken like a true Italian husband.”

  “I’m not Italian.”

  “What language are you speaking to me right now?”

  “It’s the food talking.”

  Gabriel sat down again and laid siege to the veal. From the monitor came the short cry of a child. Chiara cocked a vigilant ear toward the device and listened intently, as if to the footsteps of an intruder. Then, after a satisfactory interlude of silence, she relaxed again.

  “So you intend to take the case—is that what you’re saying?”

  “I’m inclined to,” answered Gabriel judiciously.

  Chiara shook her head slowly.

  “What have I done now?”

  “You’ll do anything to avoid taking over the Office, won’t you?”

  “Not anything.”

  “Running an operation isn’t exactly a nine-to-five job.”

  “Neither is running the Office.”

  “But the Office is in Tel Aviv. The operation is in Paris.”

  “Paris is a four-hour flight.”

  “Four and a half,” she corrected him.

  “Besides,” Gabriel plowed on, “just because the operation starts in Paris, that doesn’t mean it will end there.”

  “Where will it end?”

  Gabriel tilted his head to the left.

  “In Mrs. Lieberman’s apartment?”

  “Syria.”

  “Ever been?”

  “Only to Majdal Shams.”

  “That doesn’t count.”

  Majdal Shams was a Druze town in the Golan Heights. Along its northern edge was a fence topped by swirls of razor wire, and beyond the fence was Syria. Jabhat al-Nusra, an al-Qaeda affiliate, controlled the territory along the border, but a two-hour car ride to the northeast was ISIS and the caliphate. Gabriel wondered how the American president would feel if ISIS were two hours from Indiana.

  “I thought,” said Chiara, “that we were going to stay out of the Syrian civil war. I thought we were going to sit by and do nothing while all our enemies killed each other.”

  “The next chief of the Office feels that policy would be unwise in the long term.”

  “Does he?”

  “Have you ever heard of a man named Arnold Toynbee?”

  “I have a master’s degree in history. Toynbee was a British historian and economist, one of the giants of his day.”

  “And Toynbee,” said Gabriel, “believed there were two great pivot points in the world that influenced events far beyond their borders. One was the Oxus-Jaxartes Basin in modern-day Pakistan and Afghanistan, or Af-Pak as our friends in America are fond of calling it.”

  “And the other?”

  Again, Gabriel tilted his head to the left. “We hoped the problems of Syria would remain in Syria, but I’m afraid hope is not an acceptable strategy when it comes to national security. While we’ve been twiddling our thumbs, ISIS has been developing a sophisticated terror network with the ability to strike in the heart of the West. Maybe it’s led by a man who calls himself Saladin. Maybe it’s someone else. Either way, I’m going to tear the network to pieces, hopefully before they can strike again.”

  Chiara started to respond but was interrupted by the cry of an infant. It was Irene; her two-note wail was as familiar to Gabriel as the sound of a French siren on a wet Paris night. He started to rise but Chiara was on her feet first.

  “Finish your dinner,” she said. “I hear the food in Paris is terrible.”

  Gabriel heard her voice next over the monitor, speaking soothingly in Italian to an infant who was no longer crying. Alone, he switched on the television and finished his supper while, four and a half hours to the northwest by airplane, Paris burned.

  For thirty minutes she did not return. Gabriel saw to the dishes and wiped down the kitchen counters, thoroughly, so that Chiara would not feel it necessary to reprise his efforts, which was usually the case. He added coffee and water to the automatic maker and then stole softly down the hall to the master bedroom. There he found his wife and daughter, Chiara supine atop the bed, Irene prone across her breasts, both sleeping soundly.

  Gabriel stood in the doorway, his shoulder leaning against the woodwork, and allowed his eyes to travel slowly across the walls of the room. They were hung with paintings—three paintings by Gabriel’s grandfather, the only three he had been able to track down, and several more by his mother. There was also a large portrait of a young man with prematurely gray temples and a gaunt, weary face haunted by the shadow of death. One day, thought Gabriel, his children would ask him about the troubled young man depicted in the portrait, and about the woman who had painted it. It was not a conversation he was looking forward to. Already, he feared their reaction. Would they pity him? Would they fear him? Would they think him a monster, a murderer? It was no matter; he had to tell them. It was better to hear the unhappy details of such a life from the lips of the man who had led it rather than from someone else. Mothers often portrayed fathers in too flattering a light. Obituaries rarely told the whole story, especially when their subjects led classified lives.

  Gabriel lifted his daughter from Chiara’s breast and carried her into the nursery. He placed her gently in her crib, covered her with a blanket, and stood over her for a moment until he was sure she was settled. Finally, he returned to the master bedroom. Chiara was still sleeping soundly, watched over by the brooding young man in the portrait. It’s not me, he would tell his children. It’s just someone I had to become. I am not a monster or a murderer. You exist in this place, you sleep peacefully in this land tonight, because of people like me.

  9

  THE MARAIS, PARIS

  AT TWENTY MINUTES PAST TEN the following morning, Christian Bouchard was standing in the arrivals hall of Charles de Gaulle, a tan raincoat over his crisp suit, a paper sign in his hand. The sign read SMITH. Even Bouchard found it less than convincing. He was watching the conveyor belt of humanity flowing into the hall from passport control
—the international peddlers of goods and services, the seekers of asylum and employment, the tourists who had come to see a country that no longer existed. It was the job of the DGSI to sift through this daily deluge, identify the potential terrorists and agents of foreign intelligence, and monitor their movements until they left French soil. It was a near-impossible task. But for men such as Christian Bouchard, it meant there was no shortage of work or opportunities for career advancement. For better or worse, security was one of the few growth industries in France.

  Just then, Bouchard’s mobile vibrated in his coat pocket. It was a text message stating that the reason for his visit to Charles de Gaulle had just been admitted into France on an Israeli passport bearing the name Gideon Argov. Two minutes later Bouchard spotted the selfsame Monsieur Argov, black leather jacket, black nylon overnight bag, adrift on the current of arriving passengers. Bouchard had seen him in surveillance photographs—there was that famous shot taken in the Gare de Lyon a few seconds before the explosion—but never had he seen the legend in the flesh. Bouchard had to admit he was sorely disappointed. The Israeli was five foot nothing and maybe, maybe, a hundred and fifty pounds. Still, there was a predatory swiftness in his gait and a slight outward bend to his legs that suggested speed and agility in his youth, which, thought Bouchard with misplaced arrogance, was quite some time ago.

  Two paces behind him was a much younger man of nearly identical height and weight: dark hair, dark skin, the alert dark eyes of a Jew whose ancestors had lived in Arab lands. An employee of the Israeli Embassy was there to greet them, and together the three men—legend, bodyguard, and embassy functionary—filed outside to a waiting car. It headed directly into the center of Paris, followed by a second car in which Bouchard was the only passenger. He had anticipated his quarry would proceed directly to Madame Weinberg’s apartment on the rue Pavée, where Paul Rousseau was at that moment waiting. Instead, the legend made a stop on the rue des Rosiers. At the far western end of the street was a barricade. Behind it were the ruins of the Weinberg Center.